Hiroshi Sato and Adam Caldwell return for a super episode jam-packed with art discussion! We talk about how they critique each other, the importance of titles, idea vs execution, today’s lack of genius artists, painting’s one advantage over other art forms, curating your visual life, the historical significance of art museums, understanding symbols for cultural context, and more! Catch Adam at the Moleskine Project show and Modern Eden’s self portrait show. Hiroshi will be showing landscapes at Abend Gallery this summer and a solo show at Marrow Gallery in October.
We meet Hiroshi Sato at his SF studio and get right into it! We discuss intention and perception of our art by the viewer, critiquing our work, the geometry in his work, how much his influences inspire his work, the importance of taste, positive/negative freedom, and more. We talk about his painting “Walstrom” and it leads to talk about implying story, and representational art as “fan fiction.” We get his T5DOA and talk more about how he pieces his influences together, and his David Choe Money answer leads to him telling us about Japanese culture vs Western culture and having an outsider’s perspective on both! Great conversation with some friendly debate. Please enjoy. Except you, Jeff.